In the early 1970s, Irma
Thomas recorded an album’s worth of tracks for Cotillion, a subsidiary of
Atlantic Records. Most of these tracks were left unreleased until now. The
exceptions are “Full Time Woman,” which was released as a single in 1971, and
“She’s Taken My Place,” which was that single’s flip side.
Irma Thomas has a great
voice, full of soul, full of emotion. It’s simply fantastic, particularly that
great cry in her voice that she uses at just the right moments. Other times her
voice is so smooth, like during some of “Shadow Of The Sun.” She also has some seriously
good musicians backing her on these tracks. Check out the bass line on “Waiting For Someone,”
for example.
It’s remarkable that this
collection of songs remained unreleased for so long. But I am so glad we all
get a chance now to enjoy these tracks, most of which are absolutely wonderful.
This release includes liner notes by David Nathan, with quotes from an
interview with Irma Thomas.
“Full Time Woman”
“Full Time Woman,” the
title track (and one of two to have been previously released), has a good, sweet
groove. This song has a woman asking a man
about his new woman (“Does she help you
like I never would?”). And it takes only a moment of hearing her voice to
know this man made a mistake in ever letting her go. But it’s a bit more
complicated than that. She sings, “You
say you could take good care of me if I’d come home/Do you know, oh can’t you
see, I would like to have heard these words before I’d gone.” It’s an
excellent vocal performance. Irma has a sexy voice, full of heartache and experience.
The backing vocals seem to offer her some comfort and companionship, a nice
touch.
“All I Wanna Do Is Save You”
“All I Wanna Do Is Save
You” opens with the lines, “You tell me
things are not going right/And all she does is fuss and fight.” Yes, in
this song she’s looking in on another relationship, and it pains her. “This is why I’ve got to prove myself to you/Show
you what real love can do for you.” She appoints herself to help, her
emotions running high. “When she’s
hurting you, she’s hurting me/I don’t want to hurt you, never will desert you/All
I want to do, baby, is save you.” And oh man, being saved never sounded so
good. Listen to the raw power in her voice on those words: “save you.”
“She’s Taken My Part”
“She’s Taken My Part” is
a fun tune, partly because of the horns, partly because of its good groove.
This was the flip side to “Full Time Woman.” Two days have passed since the
couple of this song broke up, and now the woman is wandering around town,
looking for the man while he’s with someone else. Yeah, the woman of this song
might come across as a bit obsessive. I dig the backing vocals echoing her at
the end: “It’s breaking my heart,” “Taken my part,” and “Stolen the show.”
Bobbie Gentry’s “Fancy”
“Fancy” begins in a cool,
sly fashion, and then Irma’s vocals come in, telling tales of hard times. And
holy moly, listen to the vibrant power in her vocals, which are delivered over
a nice soul groove. This song has a fun feel, but some serious subject matter,
with lines like “Your pa’s run off, and I’m
real sick, and the baby’s gonna starve to death” and “Well, that was the last time I saw my ma, the night I left the rickety
shack/’Cause the welfare people came and took my baby, Mama died, and I ain’t
been back.” There is also a Hamlet reference, using Polonius’
oft-quoted line, “To thine own self be
true” (here presented in a heart-shaped locket). “Fancy” was written by
Bobbie Gentry, who had a hit with it in 1969. I completely love this track, and
it’s one of my favorites from this CD.
“Time After Time”
“Time After Time” is my
other favorite. This song has me right from the start, with one of those
delicious, slow, gorgeous grooves, and that’s even before Irma's beautiful vocals
come in. This is another track that showcases her vocals talents. It’s one of
those songs that you imagine coming at the end of a great and memorable night. Seriously,
do yourself a favor, and listen to this one. This is such a great rendition of
that classic song written by Jule Styne and Sammy Cahn, and is quite a bit
different from the versions you’ve likely heard. And at the end she has the
wild, raw power of, say, Janis Joplin. She totally owns this song.
“It’s Eleven O’Clock (Do You Know Where Your Love Is)”
“It’s Eleven O’Clock (Do
You Know Where Your Love Is)” opens with a news broadcast about women (“It was Ladies Day, as the fairer sex made
headlines around the world”). The title, of course, is a play on that old
announcement, “It’s 10 p.m., do you know
where your children are,” a line that was used at the beginning of some
news casts. Irma Thomas then begins the song with the line, “The ways of a woman are mystifying.” So
true. This is kind of a sillier song, and
there’s even a bit of a laugh in her voice as she sings, “and maybe we ain’t.”
“Could It Be Differently”
These days, people seem
to have no idea what an adverb is, and often use an adjective when an adverb is
called for. So it’s interesting here to find the opposite error, and in the
song’s very title. That being said, this is still an enjoyable song, with a
kind of catchy groove.
"Adam And Eve"
“Adam And Eve,” the CD’s
final track, is my least favorite, but I can’t help but laugh on the “ignore
the snake” line in “You be Adam, I’ll be Eve/Where they failed, we’ll succeed/We'll show we've got what it takes/This time I'll ignore the snake.”
CD Track List
- Full Time Woman
- All I Wanna Do Is Save You
- She’s Taken My Part
- Shadow Of The Sun
- Waiting For Someone
- Fancy
- Time After Time
- Our Love Don’t Come That Easy
- Turn Around And Love You
- Tell Me Again
- Try To Be Thankful
- It’s Eleven O’Clock (Do You Know Where Your Love Is)
- Could It Be Differently
- A Song With No Name aka Song For Jim
- Adam And Eve
Full Time Woman: The Lost Cotillion Album was released on March 4,
2014 through Real Gone Music.
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